[1]
T. Kennedy Martin, ‘Nats Go Home: First Statement of a New Drama for Television’, no. 48 (March-April), 1964.
[2]
J. Ellis, ‘“Witness: A New Way of Perceiving the World”, in Seeing Things: Television in the Age of Uncertainty, pg. 6-16’, London: Tauris, 2000.
[3]
T. Miller and British Film Institute, ‘“Gender”, in Television studies, pg. 91-104’, London: British Film Institute, 2002.
[4]
W. Goldman, ‘“The Ten Commandments of Pitching”, in Which Lie Did I Tell?: More Adventures In The Screen Trade, pg. 269-271’, London: Bloomsbury, 2001.
[5]
J. Yorke, ‘Change in Drama Series’, in Into the Woods: How Stories Work and Why We Tell Them, pg. 184-189. London: Penguin Books, 2013.
[6]
L. Seger, ‘“Researching the Character”, in Creating Unforgettable Characters, pg. 1-21’, 1st ed., New York: Henry Holt, 1990.
[7]
W. Goldman, ‘“Entering Late”, in Which Lie Did I Tell?: More Adventures In The Screen Trade, pg. 193-200’, London: Bloomsbury, 2001.
[8]
T. Cantrell and C. Hogg, ‘Returning to an Old Question: What Do Television Actors Do When They Act?’, Critical Studies in Television: The International Journal of Television Studies, vol. 11, no. 3, pp. 283–298, Nov. 2016, doi: 10.1177/1749602016662430.
[9]
R. La Motte, ‘Costume Design 101: The Business and Art of Creating Costumes for Film and Television: Costume Design, pp. 68-85’, 2nd ed., Studio City, CA: Michael Wiese Productions, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/westminster/reader.action?docID=6188426&ppg=67
