1
Kennedy Martin T. Nats Go Home: First Statement of a New Drama for Television. 1964.
2
Ellis J. ‘Witness: A New Way of Perceiving the World’, in Seeing Things: Television in the Age of Uncertainty, pg. 6-16. London: : Tauris 2000.
3
Miller T, British Film Institute. ‘Gender’, in Television studies, pg. 91-104. London: : British Film Institute 2002.
4
Goldman W. ‘The Ten Commandments of Pitching’, in Which Lie Did I Tell?: More Adventures In The Screen Trade, pg. 269-271. London: : Bloomsbury 2001.
5
Yorke J. ‘Change in Drama Series’, in Into the Woods: How Stories Work and Why We Tell Them, pg. 184-189. London: : Penguin Books 2013.
6
Seger L. ‘Researching the Character’, in Creating Unforgettable Characters, pg. 1-21. New York: : Henry Holt 1990.
7
Goldman W. ‘Entering Late’, in Which Lie Did I Tell?: More Adventures In The Screen Trade, pg. 193-200. London: : Bloomsbury 2001.
8
Cantrell T, Hogg C. Returning to an Old Question: What Do Television Actors Do When They Act? Critical Studies in Television: The International Journal of Television Studies 2016;11:283–98. doi:10.1177/1749602016662430
9
La Motte R. Costume Design 101: The Business and Art of Creating Costumes for Film and Television: Costume Design, pp. 68-85. Studio City, CA: : Michael Wiese Productions 2010. https://ebookcentral.proquest.com/lib/westminster/reader.action?docID=6188426&ppg=67
