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Bruzzi S. New documentary. 2nd ed. London: : Routledge 2006. http://search.ebscohost.com.uow.idm.oclc.org/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=171085
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Winston B, British Film Institute. The documentary film book. London: : Palgrave Macmillan on behalf of the British Film Institute 2013.
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Nichols B. Introduction to documentary. Third edition. Bloomington: : Indiana University Press 2017. https://ebookcentral.proquest.com/lib/westminster/detail.action?docID=4813367
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Williams L. Mirrors without Memories: Truth, History, and the New Documentary. Film Quarterly 1993;46:9–21. doi:10.2307/1212899
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Nichols B. Blurred boundaries: questions of meaning in contemporary culture. Bloomington: : Indiana University Press 1994.
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Warren C. Beyond document: essays on nonfiction film. Hanover, NH: : University Press of New England 1996.
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Marker changes trains.SANS SOLEIL. Sight & Sound 1984;LIII:284–8.http://search.proquest.com/fiaf/docview/1305505903/fulltext/B0A5C0F18BA1476DPQ/1?accountid=14987
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Saunders D. Direct cinema: observational documentary and the politics of the sixties. London: : Wallflower Press 2007.
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Ten Brink J. Building bridges: the cinema of Jean Rouch. London: : Wallflower 2007.
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Vaughan D. For documentary: twelve essays. Berkeley, Calif: : University of California Press 1999.
11
On Documentary: The Zaprudder Quotient. https://michaelchanan.files.wordpress.com/2010/08/zapruder1.pdf
12
Letter to Theresa by Chris Marker – Behind the Veils of Sans Soleil ~ Chris Marker. http://chrismarker.org/chris-marker/notes-to-theresa-on-sans-soleil-by-chris-marker/
13
The Act of Killing: art, documentary or research with impact? | Times Higher Education (THE). https://www.timeshighereducation.com/comment/columnists/the-act-of-killing-art-documentary-or-research-with-impact/2006482.article
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The Act of Killing: don’t give an Oscar to this snuff movie | Nick Fraser | Film | The Guardian. https://www.theguardian.com/commentisfree/2014/feb/23/act-of-killing-dont-give-oscar-snuff-movie-indonesia
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Arthur, Paul. True Confessions, Sort Of: Capturing the Friedmans and the Dilemma of Theatrical Documentary. Cineaste 2003;28:4–7.http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505027185&site=ehost-live&scope=site
16
Rosenthal A, Corner J. New challenges for documentary. 2nd ed. Manchester: : Manchester University Press 2005.
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Aufderheide P. Public Intimacy: The Development of First-Person Documentary. http://bono.planet.ee/variaator/gj/dok/publicintimacy.pdf
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Macdonald K, Cousins M. Imagining reality: the Faber book of the documentary. London: : Faber 1996.
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Winston B. Lies, damn lies and documentaries. London: : British Film Institute 2000.
20
Aitken I. Film and reform: John Grierson and the documentary film movement. London: : Routledge 1990. http://www.tandfebooks.com/action/ssostart?idp=https://idp.wmin.ac.uk/entity&redirectUri=/isbn/9781315855936
21
Ten Brink J, Oppenheimer J, editors. Killer images: documentary film, memory and the performance of violence. New York: : Wallflower Press 2012. http://westminster.eblib.com/patron/FullRecord.aspx?p=946273
22
Vaughan D. For documentary: twelve essays. Berkeley, Calif: : University of California Press 1999.
23
Nichols B. Representing reality: issues and concepts in documentary. Bloomington, Ind: : Indiana University Press 1991.
24
Cathy Come Home. https://learningonscreen.ac.uk/ondemand/index.php/prog/00028C79?bcast=122896043
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Grizzly Man. https://learningonscreen.ac.uk/ondemand/index.php/prog/0115FB38?bcast=33329512