1.
Historical Journal of Film, Radio and Television. https://uow.idm.oclc.org/login?url=http://www.tandfonline.com/loi/chjf20#.Vp5Xt_mLSUk
2.
Reeves N. The Power of Film Propaganda – Myth or Reality? Historical Journal of Film, Radio and Television. 1993;13(2):181-201. doi:10.1080/01439689300260201
3.
Chapman J. Cinemas of the World: Film and Society from 1895 to the Present. Reaktion; 2003. http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9781861895745
4.
Barnouw E. Documentary: A History of the Non-Fiction Film. 2nd rev. ed. Oxford University Press; 1993.
5.
Sorlin P. European Cinemas, European Societies 1939-1990. Vol Studies in film, television and the media. Routledge; 1990.
6.
Short KRM. Feature Films as History. Croom Helm; 1981.
7.
Marc Ferro. Film as an Agent, Product and Source of History. Journal of Contemporary History. 1983;18(3):357-364. http://www.jstor.org/stable/260542?seq=1#page_scan_tab_contents
8.
Thompson K, Bordwell D. Film History: An Introduction. 2nd ed. McGraw-Hill; 2003.
9.
Sedgwick J. Film ‘Hits’ and ‘Misses’ in mid-1930s Britain. Historical Journal of Film, Radio and Television. 1998;18(3):333-351. doi:10.1080/01439689800260221
10.
Furhammar L, Isaksson F, French K. Politics and Film. Studio Vista; 1971.
11.
Rhodes A, Margolin V. Propaganda: The Art of Persuasion : World War II. Angus and Robertson; 1976.
12.
Seeing Through Movies, I.C. Jarvie, in Philosophy of the Social Sciences, 8 (1978). http://library-collections-search.westminster.ac.uk/primo_library/libweb/action/display.do?tabs=detailsTab&ct=display&fn=search&doc=dedupmrg1139371&indx=1&recIds=dedupmrg1139371&recIdxs=0&elementId=&renderMode=poppedOut&displayMode=full&http://wst-primo.hosted.exlibrisgroup.com:1701/primo_library/libweb/action/expand.do?dscnt=0&frbrVersion=&frbg=&scp.scps=scope%3A%28CALM_WST%29%2Cscope%3A%28LMS_WST%29%2Cscope%3A%28SFX_WST%29%2Cscope%3A%28ML_WST%29%2Cscope%3A%28CAV%29%2Cscope%3A%28REG%29%2Cscope%3A%28MRD%29%2Cscope%3A%28HRW%29&tab=local&dstmp=1433433434803&srt=rank&mode=Basic&gathStatTab=true&dum=true&tb=t&vl(freeText0)=Philosophy%20of%20the%20Social%20Sciences&vid=WST_VU1
13.
Smith P. The Historian and Film. Cambridge University Press; 1976. https://library-collections-search.westminster.ac.uk/discovery/fulldisplay?docid=alma990000666110203711&context=L&vid=44WST_INST:WST_VUA&lang=en&search_scope=MyInstitution&adaptor=Local%20Search%20Engine&tab=LibraryCatalog&query=any,contains,The%20Historian%20and%20Film&offset=0
14.
Reeves N. The Power of Film Propaganda: Myth or Reality? Cassell; 1999.
15.
Smith P. The Historian and Film. Cambridge University Press; 1976. https://library-collections-search.westminster.ac.uk/discovery/fulldisplay?docid=alma990000666110203711&context=L&vid=44WST_INST:WST_VUA&lang=en&search_scope=MyInstitution&adaptor=Local%20Search%20Engine&tab=LibraryCatalog&query=any,contains,The%20Historian%20and%20Film&offset=0
16.
Smither R. A Wonderful Idea of the Fighting”: the Question of Fakes in the Battle of the Somme. Historical Journal of Film, Radio and Television. 1993;13(2):149-168. doi:10.1080/01439689300260181
17.
Messinger GS. An Inheritance Worth Remembering: the British Approach to Official Propaganda during the First World War. Historical Journal of Film, Radio and Television. 1993;13(2):117-127. doi:10.1080/01439689300260161
18.
Badsey SD. Battle of the Somme: British War Propaganda. Historical Journal of Film, Radio and Television. 1983;3(2):99-115. doi:10.1080/01439688300260081
19.
Robertson JC. British Film Censorship goes to War. Historical Journal of Film, Radio and Television. 1982;2(1):49-64. doi:10.1080/01439688200260041
20.
Sanders ML. British Film Propaganda in Russia 1916-1918. Historical Journal of Film, Radio and Television. 1983;3(2):117-129. doi:10.1080/01439688300260091
21.
Sanders ML, Taylor PM. British Propaganda during the First World War, 1914-18. Macmillan; 1982.
22.
Kelly A. Cinema and the Great War. Vol Cinema and society. Routledge; 1997.
23.
Reeves N. Cinema, spectatorship and propaganda: ‘Battle of the Somme’ (1916) and its contemporary audience. Historical Journal of Film, Radio and Television. 1997;17(1):5-28. doi:10.1080/01439689700260601
24.
Lewis, Jonathan. Filming the First World War. History Today. 53(10):20-22. http://search.proquest.com/docview/1035742157/A2698126C4F4461PQ/1?accountid=14987
25.
Taylor PM. Introduction: Britain and the Cinema in the First World War. Historical Journal of Film, Radio and Television. 1993;13(2):115-116. doi:10.1080/01439689300260151
26.
Reeves N, Imperial War Museum (Great Britain). Official British Film Propaganda during the First World War. Croom Helm in association with the Imperial War Museum; 1986.
27.
Hiley NP. The British Army Film’, ‘You!’ and ‘For the Empire’: Reconstructed Propaganda Films, 1914-1916. Historical Journal of Film, Radio and Television. 1985;5(2):165-182. doi:10.1080/01439688500260171
28.
Hammond M, Williams M. British Silent Cinema and the Great War. Palgrave Macmillan; 2011. http://www.palgraveconnect.com.uow.idm.oclc.org/doifinder/10.1057/9780230321663
29.
Taylor PM. Britain and the Cinema in the Second World War. Macmillan; 1988.
30.
Aldgate A, Richards J. Britain Can Take It: The British Cinema in the Second World War. Basil Blackwell; 1986.
31.
Glancy M. British Cinema and The Second World War: Audiences, Cinema-Going and Popular Films. Historical Journal of Film, Radio and Television. 2011;31(4):451-451. doi:10.1080/01439685.2011.620833
32.
Poole J. British Cinema Attendance in Wartime: Audience Preference at the Majestic, Macclesfield, 1939-1946. Historical Journal of Film, Radio and Television. 1987;7(1):15-34. doi:10.1080/01439688700260021
33.
Curran J, Porter V. British Cinema History. Barnes and Noble; 1983.
34.
Ashby J, Higson A. British Cinema: Past and Present. Routledge; 2000.
35.
Clive Coultass. British Feature Films and the Second World War. Journal of Contemporary History. 1984;19(1):7-22. http://www.jstor.org/stable/260423?seq=1#page_scan_tab_contents
36.
Thorpe F, Pronay N, Coultass C. British Official Films in the Second World War: An Descriptive Catalogue. Clio Press; 1980.
37.
Stead P. Film and the Working Class: The Feature Film in British and American Society. Vol Cinema and society. Routledge; 1989.
38.
Manvell R. Films and the Second World War. Dent; 1974.
39.
Millar D. Fires Were Started. 1969;(Spring). https://search.proquest.com/docview/1305507798?accountid=14987
40.
Smith A. Humphrey Jennings’ Heart of Britain (1941): A reassessment. Historical Journal of Film, Radio and Television. 2003;23(2):133-151. doi:10.1080/0143968032000091077
41.
Aldgate A. Ideological Consensus in British Feature Films, 1935-1945, in K.R.M. Short (ed.), Feature Films as History (1981). In: Croom Helm; 1981.
42.
Coultass C. Images for Battle: British Film and the Second World War, 1939-1945. University of Delaware Press; 1989.
43.
Swann P. John Grierson and the G.P.O. Film Unit, 1933-1939. Historical Journal of Film, Radio and Television. 1983;3(1):19-34. doi:10.1080/01439688300260021
44.
Richards J, Sheridan D, Mass-Observation. Mass-Observation at the Movies. Vol Cinema and society. Routledge & Kegan Paul; 1987.
45.
Pronay N, Spring DW. Propaganda, Politics and Film, 1918-45. Macmillan; 1982.
46.
Short KRM. RAF Bomber Command’s Target for Tonight (1941). Historical Journal of Film, Radio and Television. 1997;17(2):181-218. doi:10.1080/01439689700260691
47.
Murphy R. Realism and Tinsel: Cinema and Society in Britain, 1939-1948. Routledge; 1989.
48.
Richards J. The Age of the Dream Palace: Cinema and Society in Britain 1930-1939. Vol Cinema and society. Routledge & Kegan Paul; 1984.
49.
Chapman J. The British at War: Cinema, State and Propaganda. I. B. Tauris; 1998.
50.
Robertson JC. The British Board of Film Censors: Film Censorship in Britain, 1896-1950. Croom Helm; 1985.
51.
Chapman J. The Life and Death of Colonel Blimp (1943) Reconsidered. Historical Journal of Film, Radio and Television. 1995;15(1):19-54. doi:10.1080/01439689500260021
52.
Paris, Michael. The RAF on Screen. History Today. 40(8). http://search.proquest.com/docview/1299028678?OpenUrlRefId=info:xri/sid:primo
53.
Rattigan N. This Is England: British Film and the People’s War, 1939-1945. Associated University Presses; 2001.
54.
Houston P. Went the Day Well? Vol BFI film classics. BFI Pub; 1992.
55.
Houston P. Witnesses of War. 43(2):110-112. http://fiaf.chadwyck.com/fulltext/pageimage.do?id=005/p209-1974-043-02-000011&area=index&fromToC=yes&jid=006/0000306
56.
Chambers JW, Culbert DH. World War II, Film, and History. Oxford University Press; 1996.
57.
Salkeld A. A Portrait of Leni Riefenstahl. Jonathan Cape; 1996. http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9781446475270
58.
Hull DS. Film in the Third Reich: A Study of the German Cinema, 1933-1945. University of California Press; 1969.
59.
Barsam RM. Filmguide to ‘Triumph of the Will’. Vol Indiana University Press filmguide series. Indiana University Press; 1975.
60.
Taylor R. Film Propaganda: Soviet Russia and Nazi Germany. Vol Cinema and society. 2nd ed. I. B. Tauris; 1998.
61.
Fox J. Filming Women in the Third Reich. Berg; 2000.
62.
Jay W. Baird. From Berlin to Neubabelsberg: Nazi Film Propaganda and Hitler Youth Quex. Journal of Contemporary History. 1983;18(3):495-515. http://www.jstor.org/stable/260548?seq=1#page_scan_tab_contents
63.
Kracauer S. From Caligari to Hitler: A Psychological History of the German Film. Princeton University Press; 1974.
64.
Welch, David. Hitler’s history films. History Today. 52(12):20-25. http://search.proquest.com/docview/202815762?accountid=14987&OpenUrlRefId=info:xri/sid:primo
65.
Tegel S. Jud Süss. Historical Journal of Film, Radio and Television. 2005;25(1):155-161. doi:10.1080/01439680500065691
66.
Hornsh⊘j-M⊘ller S, Culbert D. Judd Suss (1940): Joseph Goebbels’ unequaled monument to anti-Semitism. Historical Journal of Film, Radio and Television. 1992;12(1):41-67. doi:10.1080/01439689200260021
67.
Paret P. Kolberg (1945) as a Historical Film and Historical Document. Historical Journal of Film, Radio and Television. 1994;14(4):433-448. doi:10.1080/01439689400260321
68.
Tegel S. Leni Riefenstahl’s Career Reassessed. Historical Journal of Film, Radio and Television. 2003;23(3):279-283. doi:10.1080/0143968032000095604
69.
Loiperdinger M, Culbert D. Leni Riefenstahl, the SA, and the Nazi Party Rally Films, Nuremburg 1933-1934: ‘Sieg des Glaubens’ and ‘Triumph of the Will. Historical Journal of Film, Radio and Television. 1988;8(1):3-38. doi:10.1080/01439688800260011
70.
Culbert D, Loiperdinger M. Leni Riefenstahl’s                              : the 1935 Nazi Party Rally film. Historical Journal of Film, Radio and Television. 1992;12(1):3-40. doi:10.1080/01439689200260011
71.
Leiser E, Mander G, Wilson D. Nazi Cinema. Vol The cinema two series. Secker and Warburg; 1974.
72.
Sakmyster T. Nazi Documentaries of Intimidation: Feldzug in Polen (1940), Feuertaufe (1940) and Sieg im Westen (1941). Historical Journal of Film, Radio and Television. 1996;16(4):485-514. doi:10.1080/01439689600260511
73.
Raack RC. Nazi Film Propaganda and the Horrors of War. Historical Journal of Film, Radio and Television. 1986;6(2):189-195. doi:10.1080/01439688600260201
74.
Winkel RV. Nazi Germany’s Fritz Hippler, 1909-2002. Historical Journal of Film, Radio and Television. 2003;23(2):91-99. doi:10.1080/0143968032000091040
75.
David Welch. Nazi Propaganda and the Volksgemeinschaft: Constructing a People’s Community. Journal of Contemporary History. 2004;39(2):213-238. http://www.jstor.org/stable/3180722?seq=1#page_scan_tab_contents
76.
Welch D. Nazi Propaganda: The Power and the Limitations. Croom Helm
77.
Claus H. Nazis and the Cinema. Historical Journal of Film, Radio and Television. 2010;30(1):123-125. doi:10.1080/01439680903577383
78.
Tegel S. Nazis and the Cinema. Hambledon Continuum; 2007.
79.
Downing T, British Film Institute. Olympia. 2nd ed. Palgrave Macmillan; 2012.
80.
Welch D. Propaganda and Indoctrination in the Third Reich: Success or Failure? European History Quarterly. 1987;17(4):403-422. doi:10.1177/026569148701700401
81.
Welch D. Propaganda and the German Cinema 1933-1945. Rev. ed. I.B. Tauris; 2001. https://ebookcentral.proquest.com/lib/westminster/detail.action?docID=677140
82.
Avisar I. The Historical Significance of Der Ewige Jude. Historical Journal of Film, Radio and Television. 1993;13(3):363-365. doi:10.1080/01439689300260301
83.
Linda Schulte-Sasse. The Jew as Other under National Socialism: Veit Harlan’s Jud Süß. The German Quarterly. 1988;61(1):22-49. http://www.jstor.org/stable/407114?origin=crossref&seq=1#page_scan_tab_contents
84.
Baird JW. The Mythical World of Nazi War Propaganda, 1939-1945. University of Minnesota Press; 1974.
85.
Taylor B, Will W van der. The Nazification of Art: Art, Design, Music, Architecture and Film in the Third Reich. Vol Winchester studies in art and criticism. Winchester Press; 1990.
86.
Welch D. The Third Reich: Politics and Propaganda. Routledge; 1993.
87.
Hoffmann H. The Triumph of Propaganda: Film and National Socialism, 1933-1945. Berghahn Books; 1996.
88.
Taylor B, Will W van der. The Nazification of Art: Art, Design, Music, Architecture and Film in the Third Reich. Vol Winchester studies in art and criticism. Winchester Press; 1990.
89.
Riefenstahl L. The Sieve of Time: The Memoirs of Leni Riefenstahl. Quartet Books; 1992.
90.
Welch D. The Third Reich: Politics and Propaganda. Routledge; 1993.
91.
Hoffmann H. The Triumph of Propaganda: Film and National Socialism, 1933-1945. Berghahn Books; 1996.
92.
Herzstein RE. The War That Hitler Won. H. Hamilton
93.
Smith DC, Riefenstahl L. Triumph of the Will: A Film by Leni Riefenstahl. Vol Chronicle film script series. Celluloid Chronicles Press; 1990.
94.
Winston, Brian. Triumph of the will. History Today. 47(1):24-28. http://search.proquest.com/docview/202811883?OpenUrlRefId=info:xri/sid:primo&accountid=14987
95.
Tegel S. Veit Harlan and the Origins of Jud Süss; Opportunism in the Creation of Nazi Anti-Semitic Propaganda. Historical Journal of Film, Radio and Television. 1996;16(4):515-531. doi:10.1080/01439689600260521
96.
Rother R. What is a National Socialist Film? Historical Journal of Film, Radio and Television. 2007;27(4):455-469. doi:10.1080/01439680701552539
97.
The Wonderful Horrible Life of Leni Riefenstahl (1991). https://learningonscreen.ac.uk/ondemand/index.php/prog/004ACA50?bcast=2766017
98.
W. Anthony Sheppard. An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood. Journal of the American Musicological Society. 2001;54(2):303-357. http://www.jstor.org/stable/10.1525/jams.2001.54.2.303
99.
Cole R. Anglo-American Anti-fascist Film Propaganda in a Time of Neutrality: The Great Dictator , 1940. Historical Journal of Film, Radio and Television. 2001;21(2):137-152. doi:10.1080/01439680120051488
100.
Hirsch P. Authorship and Propaganda: Phyllis Bottome and the Making of The Mortal Storm (1940). Historical Journal of Film, Radio and Television. 2012;32(1):57-72. doi:10.1080/01439685.2012.648053
101.
Jarvie IC. Fanning the Flames: anti-American Reaction to Operation Burma (1945). Historical Journal of Film, Radio and Television. 1981;1(2):117-137. doi:10.1080/01439688100260111
102.
Stead P. Film and the Working Class: The Feature Film in British and American Society. Vol Cinema and society. Routledge; 1989.
103.
Strada MJ, Troper H. Friend or Foe?: Russians in American Film and Foreign Policy, 1933-1991. Scarecrow; 1997.
104.
Schebera J. Hangmen Also Die (1943): Hollywood’s Brecht-Eisler collaboration. Historical Journal of Film, Radio and Television. 1998;18(4):567-573. doi:10.1080/01439689800260371
105.
Doherty TP. Hollywood and Hitler, 1933-1939. Vol Film and culture. Columbia University Press; 2013. http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9780231535144
106.
Shindler C. Hollywood Goes to War: Films and American Society, 1939-1952. Vol Cinema and society. Routledge and Kegan Paul; 1979.
107.
Koppes CR, Black GD. Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies. University of California Press; 1990.
108.
Chapman J. Production of The True Glory. Historical Journal of Film, Radio and Television. 1996;16(4):533-554. doi:10.1080/01439689600260531
109.
Doherty TP. Projections of War: Hollywood, American Culture, and World War II. Vol Film and culture. [Rev. and updated ed.]. Columbia University Press; 1999.
110.
Jarvie I. The Burma Campaign on Film: Objective Burma (1945), The Stilwell Road (1945) and Burma Victory (1945). Historical Journal of Film, Radio and Television. 1988;8(1):55-73. doi:10.1080/01439688800260031
111.
Murphy, WT. The method of ‘Why we fight’. 1(3). http://fiaf.chadwyck.com/fullrec/indexFullRec.do?id=004/0164281&area=index&fromToC=yes
112.
Winkler AM. The Politics of Propaganda: The Office of War Information, 1942-1945. Vol Yale historical publications; miscellany. Yale University Press; 1978.
113.
Laurie CD. The Propaganda Warriors: America’s Crusade against Nazi Germany. Vol Modern war studies. University Press of Kansas; 1996.
114.
Dick BF. The Star-Spangled Screen: The American World War II Film. [Revised edition]. University Press of Kentucky; 1996.
115.
Short KRM. ’The White Cliffs of Dover’: Promoting the Anglo-American Alliance in World War II. Historical Journal of Film, Radio and Television. 1982;2(1):3-25. doi:10.1080/01439688200260011
116.
Basinger J. The World War II Combat Film: Anatomy of a Genre. 1st Wesleyan University Press pbk. ed. Wesleyan University Press; 2003.
117.
Culbert, David. This is the Army. History Today. 50(4):43-49. http://search.proquest.com/docview/202814608?OpenUrlRefId=info:xri/sid:primo&accountid=14987
118.
Clayton R. Koppes and Gregory D. Black. What to Show the World: The Office of War Information and Hollywood, 1942-1945. The Journal of American History. 1977;64(1):87-105. http://www.jstor.org/stable/1888275?origin=crossref&&seq=1#page_scan_tab_contents
119.
Glancy HM. When Hollywood Loved Britain: The Hollywood ‘British’ Film 1939-1945. Manchester University Press; 1999.
120.
Leff LJ, Simons J. Wilson: Hollywood Propaganda for World Peace. Historical Journal of Film, Radio and Television. 1983;3(1):3-18. doi:10.1080/01439688300260011
121.
Lewis Jacobs. World War II and the American Film. Cinema Journal. 1968;7:1-21. http://www.jstor.org/stable/1224874?origin=crossref&seq=1#page_scan_tab_contents
122.
The Great Dictator (1940). https://learningonscreen.ac.uk/ondemand/index.php/prog/000804D2?bcast=121365663
123.
Deutsch JI. Hollywood exiles in Europe: the blacklist and Cold War film culture. Historical Journal of Film, Radio and Television. 2015;35(1):199-200. doi:10.1080/01439685.2014.997576
124.
Lipschutz RD. Cold War Fantasies: Film, Fiction, and Foreign Policy. Rowman & Littlefield; 2001. http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9780742573949
125.
Sayre N. Running Time: Films of the Cold War. Dial Press; 1982.
126.
Jarvie I. The Cold War And The Movie Industry. Historical Journal of Film, Radio and Television. 2008;28(2):241-247. doi:10.1080/01439680802078764
127.
Whitton JB. Propaganda and the Cold War: A Princeton University Symposium. Literary Licensing LLC; 2012.
128.
Willcox T. Soviet Films, Censorship and the British Government: a Matter of Public Interest. Historical Journal of Film, Radio and Television. 1990;10(3):275-292. doi:10.1080/01439689000260211
129.
Marc Ferro. 1917: History and Cinema. Journal of Contemporary History. 1968;3(4):45-61. http://www.jstor.org/stable/259850?seq=1#page_scan_tab_contents
130.
Richard Taylor. A ‘Cinema for the Millions’: Soviet Socialist Realism and the Problem of Film Comedy. Journal of Contemporary History. 1983;18(3):439-461. http://www.jstor.org/stable/260546?seq=1#page_scan_tab_contents
131.
Eisenstein S, Pavlenko P, Tisse E. Alexander Nevsky. Published online 1938.
132.
Eisenstein S, Matias D, Leyda J. Battleship Potemkin ; [and], October ; and, Alexander Nevsky. Vol Classic film scripts. Lorrimer; 1974.
133.
Taylor R. Boris Shumyatsky and the Soviet Cinema in the 1930s; ideology as mass entertainment. Historical Journal of Film, Radio and Television. 1986;6(1):43-64. doi:10.1080/01439688600260031
134.
Kenez P. Cinema and Soviet Society, 1917-1953. Vol Cambridge studies in the history of mass communications. Cambridge University Press; 1992.
135.
Schnitzer L, Schnitzer J, Martin M, Robinson D. Cinema in Revolution: The Heroic Era of the Soviet Film. Vol Cinema two. Secker and Warburg; 1973.
136.
Listov V, Taylor R, Spring D. Early Soviet Cinema: the Spontaneous and the Planned. Historical Journal of Film, Radio and Television. 1991;11(2):121-127. doi:10.1080/01439689100260141
137.
Taylor R. Eisenstein: 1898-1948-1988. Historical Journal of Film, Radio and Television. 1988;8(2):189-193. doi:10.1080/01439688800260201
138.
Taylor R. Film Propaganda: Soviet Russia and Nazi Germany. Vol Cinema and society. 2nd ed. I. B. Tauris; 1998.
139.
Roberts G. Forward Soviet!: History and Non-Fiction Film in the USSR. Vol KINO, the Russian cinema series. I.B. Tauris; 1999.
140.
Leyda J. Kino: A History of the Russian and Soviet Film. 3rd ed. Allen & Unwin; 1983.
141.
Youngblood DJ. History on Film: the Historical Melodrama in early Soviet Cinema. Historical Journal of Film, Radio and Television. 1991;11(2):173-184. doi:10.1080/01439689100260191
142.
Taylor R. October. Vol BFI film classics. British Film Institute; 2002.
143.
Taylor R, Spring D. Russian and Soviet Cinema: Continuity and Change. Historical Journal of Film, Radio and Television. 1991;11(2):103-104. doi:10.1080/01439689100260121
144.
Yangirov R, Taylor R. Soviet Cinema in the Twenties: National Alternatives. Historical Journal of Film, Radio and Television. 1991;11(2):129-139. doi:10.1080/01439689100260151
145.
Short KRM, Taylor R. Soviet Cinema and the International Menace, 1928-1939. Historical Journal of Film, Radio and Television. 1986;6(2):131-159. doi:10.1080/01439688600260171
146.
Taylor, Richard. Soviet cinema - the path to Stalin. History Today. 1990;40:43-48. http://search.proquest.com/docview/1035827928?OpenUrlRefId=info:xri/sid:primo&accountid=14987
147.
Stites R. Soviet Movies for the Masses and for Historians. Historical Journal of Film, Radio and Television. 1991;11(3):243-252. doi:10.1080/01439689100260251
148.
James CV. Soviet Socialist Realism: Origins and Theory. Macmillan; 1973.
149.
Taylor R, Spring DW. Stalinism and Soviet Cinema. Vol Soviet cinema. Routledge; 1993. https://www-taylorfrancis-com.uow.idm.oclc.org/books/9781315003078
150.
Navailh F. The Emancipated Woman: Stalinist Propaganda in Soviet Feature Film 1930- 1950. Historical Journal of Film, Radio and Television. 1992;12(3):203-215. doi:10.1080/01439689200260141
151.
Taylor R, Christie I. The Film Factory: Russian and Soviet Cinema in Documents 1896-1939. Vol Soviet cinema. Routledge; 1994. https://www-taylorfrancis-com.uow.idm.oclc.org/books/9780203059920
152.
Taylor R. The Politics of the Soviet Cinema, 1917-1929. Vol International studies. Cambridge University Press; 1979.
153.
Art That Shook the World. https://learningonscreen.ac.uk/ondemand/index.php/prog/RT491A5E?bcast=120534881
154.
Art That Shook the World. https://learningonscreen.ac.uk/ondemand/index.php/prog/RT491A5E?bcast=120534881
155.
Katz E, Klein F, Nolen RD. The Macmillan International Film Encyclopedia. 4th ed. Macmillan; 2001.
156.
McFarlane B, Slide A. The Encyclopedia of British Film. 3rd ed. Methuen; 2008.
157.
Sadoul G, Morris P. Dictionary of Films. University of California Press; 1972.
158.
Thomson D. The New Biographical Dictionary of Film. Sixth edition. Alfred A. Knopf; 2014.
159.
Aitken I, Aitken I. The Concise Routledge Encyclopedia of the Documentary Film. Taylor and Francis; 2013. http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9780203148068
160.
MediaPlus | Jisc. https://www.jisc.ac.uk/mediaplus
161.
Film Indexes Online Home Page. http://film.chadwyck.co.uk/fiaf/home
162.
BFI Screenonline. http://www.screenonline.org.uk/
163.
Prelinger Archives : Free Movies : Download & Streaming : Internet Archive. https://archive.org/details/prelinger
164.
Home | BFI InView. https://www.bfi.org.uk/inview/
165.
In Which We Serve (1942). https://learningonscreen.ac.uk/ondemand/index.php/prog/00003EDA?bcast=93364747
166.
Night Train to Munich (1940). https://learningonscreen.ac.uk/ondemand/index.php/prog/005AEDD7?bcast=24686110
167.
A Canterbury Tale (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/001EA769?bcast=27269462
168.
Henry V (1945). https://learningonscreen.ac.uk/ondemand/index.php/prog/00796F58?bcast=87167446
169.
Millions like Us (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/005C5F41?bcast=96508933
170.
One of Our Aircraft Is Missing (1942). https://learningonscreen.ac.uk/ondemand/index.php/prog/000220DB?bcast=31634717
171.
Pimpernel Smith (1941). https://learningonscreen.ac.uk/ondemand/index.php/prog/000212B4?bcast=91225910
172.
The Gentle Sex (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/005C5DF1?bcast=87577049
173.
The Stars Look Down (1939). https://learningonscreen.ac.uk/ondemand/index.php/prog/0001B5C1?bcast=104493786
174.
The Way Ahead (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/005AEBAC?bcast=70891967
175.
This Happy Breed (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/004FB0A6?bcast=93526381
176.
Went the Day Well? (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/027DDAEE?bcast=82765137
177.
We Dive at Dawn (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/00164027?bcast=123850705
178.
Lifeboat (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/011D2DC5?bcast=123315260
179.
Dangerous Moonlight (1941). https://learningonscreen.ac.uk/ondemand/index.php/prog/0001E1DB?bcast=116257638
180.
The Life and Death of Colonel Blimp (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/000B21AC?bcast=114573660
181.
The Way to the Stars. http://readinglists.westminster.ac.uk/ui/forms/bookmarklet.html?fast=true&targetTitle=BOB%20on%20demand&rft.title=The%20Way%20to%20the%20Stars%20(1945)&rft.pub=BBC2%20England&rft.date=Sunday%2C%2017%20Jan%202010&rft.genre=AudioVisualDocument&uri=https%253A%252F%252Flearningonscreen.ac.uk%252Fondemand%252Findex.php%252Fprog%252F00007155%253Fbcast%253D40204027
182.
San Demetrio London (1947). https://learningonscreen.ac.uk/ondemand/index.php/prog/00030F47?bcast=121563618
183.
Oh, Mr Porter! (1937). https://learningonscreen.ac.uk/ondemand/index.php/prog/00707119?bcast=63099122
184.
University of Indiana Media Collections Online. https://media.dlib.indiana.edu/
185.
Battleship Potemkin (1925). https://learningonscreen.ac.uk/ondemand/index.php/prog/01FCF8C0?bcast=90231254
186.
Three Songs about Lenin. https://www.youtube.com/watch?v=JeWK5iRp0BE
187.
Bataan (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/028C564B?bcast=89362820
188.
Casablanca (1942). https://learningonscreen.ac.uk/ondemand/index.php/prog/001C11A0?bcast=82897813
189.
The Cross of Lorraine (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/026FE7A8?bcast=92014198
190.
Days of Glory (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/0014DDB4?bcast=98416235
191.
Foreign Correspondent (1940). https://learningonscreen.ac.uk/ondemand/index.php/prog/00044891?bcast=36690665
192.
Guadalcanal Diary (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/000191A1?bcast=92120238
193.
Mrs. Miniver (1942). https://learningonscreen.ac.uk/ondemand/index.php/prog/00083F28?bcast=113827275
194.
To Have and Have Not (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/000EBF54?bcast=27336832
195.
This Land Is Mine (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/0000EDC0?bcast=121101773
196.
Tender Comrade (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/001AD062?bcast=112579617
197.
None But the Lonely Heart (1944). https://learningonscreen.ac.uk/ondemand/index.php/prog/00020703?bcast=93362614
198.
Edge of Darkness (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/00041141?bcast=80561610
199.
Air Force (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/015FDE71?bcast=114313929
200.
Action in the North Atlantic (1943). https://learningonscreen.ac.uk/ondemand/index.php/prog/0004C80F?bcast=114554988
201.
Objective, Burma! (1945). https://learningonscreen.ac.uk/ondemand/index.php/prog/00024701?bcast=101162287
202.
The Memphis Belle: A Story of a Flying Fortress : First Motion Picture Unit of the U.S. Army Air Corps : Free Download & Streaming : Internet Archive. https://archive.org/details/TheMemphisBelleAStoryofaFlyingFortress
203.
The Navy Way : Free Download & Streaming : Internet Archive. https://archive.org/details/TheNavyWay
204.
Nurse Edith Cavell : Herbert Wilcox : Free Download & Streaming : Internet Archive. https://archive.org/details/NurseEdithCavell
205.
Blood on the Sun (1945). https://learningonscreen.ac.uk/ondemand/index.php/prog/00193152?bcast=45661166
206.
Triumph of the Will (1934). https://learningonscreen.ac.uk/ondemand/index.php/prog/00022254?bcast=8593882
207.
Big Jim McLain (1952). https://learningonscreen.ac.uk/ondemand/index.php/prog/00204994?bcast=123597586
208.
The Green Berets (1968). https://learningonscreen.ac.uk/ondemand/index.php/prog/00042928?bcast=120742140
209.
Duck and Cover : Archer Productions, Inc. : Free Download & Streaming : Internet Archive. https://archive.org/details/DuckandC1951
210.
(I Was A Communist For The FBI. https://www.youtube.com/watch?v=R8zhmCjV71w
211.
The Red Menace. https://www.youtube.com/watch?v=6KWHDNPdoCg
212.
The Big Lift : William Perlberg : Free Download & Streaming : Internet Archive. https://archive.org/details/the_big_lift_ipod
213.
Communism. https://archive.org/details/prelinger?and[]=communism
214.
Communism : Hearst Metrotone News, Inc. : https://archive.org/details/0771_Communism_12_01_27_28
215.
Price of Liberty, The. https://archive.org/details/0723_Price_of_Liberty_The_14_43_15_00
216.
Our Cities Must Fight. https://archive.org/details/71732OurCitiesMustFight