globe
Ades, D. (1974). Dada and surrealism. London: Thames and Hudson.
Apollonio, U. and Brain, R. (2009). Futurist manifestosNew ed. London: Tate.
Aynsley, J. (2000). Graphic design in Germany 1890-1945. London: Thames & Hudson.
Barnicoat, J. (1972a). Posters: A concise history. London: Thames and Hudson.
Barnicoat, J. (1972b). Posters: A concise history. London: Thames and Hudson.
Barnicoat, J. (1972c). Posters: A concise history. London: Thames and Hudson.
Batchelor, D. (1997). Minimalism. London: Tate Gallery.
Behr, S. (1999). Expressionism. London: Tate Gallery Publishing.
Benjamin, W. (1999). Illuminations. London: Pimlico.
Bowlt, J.E. (1988). Russian art of the avant-garde theory and criticism 1902-1934Rev. ed. London: Thames and Hudson.
Bradley, F. and Tate Gallery (1997). Surrealism. London: Tate Gallery.
Bright Lights, Brilliant Minds: A... (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/prog/07936C7B?bcast=114013040.
Buskirk, M. (2005). The contingent object of contemporary art. Cambridge, Mass: MIT.
Clip from Art of Germany: In the Shadow of Hitler (no date). Available from https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.wmin.ac.uk%2Fentity&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fclip%2F34995.
Clip from Art of Germany: In the Shadow of Hitler (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/clip/34995.
Clip from Britain and the Sea: Invasion and Defence (no date). Available from https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.wmin.ac.uk%2Fentity&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fclip%2F102513.
Clip from Culture Fix: Toulouse-Lautrec (no date). Available from https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.wmin.ac.uk%2Fentity&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fclip%2F102516.
Clip from Imagine...Ai Weiwei - Without Fear or Favour (no date). Available from https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.wmin.ac.uk%2Fentity&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fclip%2F2293.
Clip from Imagine...Ai Weiwei - Without Fear or Favour (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/clip/2293.
Clip from Italy Unpacked: Looking to the Future (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/clip/100663.
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Comer, S. (2009). Film and video art. London: Tate.
Downey, A. (2014). Art and politics now. London: Thames & Hudson.
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Flood, R. et al. (2001). Zero to infinity: arte povera 1962-1972. London: Tate Gallery Publications.
Francis, M. and Foster, H. (2005). Pop. London: Phaidon.
Gale, M. (1997). Dada & surrealism. London: Phaidon.
Germany: Memories of a Nation (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/prog/07C5FDEC?bcast=114384378.
GORDON, D.E. (1987). Expressionism: art and idea. New Haven: Yale University Press.
Gray, C. and Burleigh-Motley, M. (1986). The Russian experiment in art, 1863-1922Rev. and enl. ed. London: Thames and Hudson.
Heartney, E. (2008a). Art & today. London: Phaidon Press.
Heartney, E. (2008b). Art & today. London: Phaidon Press.
Hopkins, D. (2004). Dada and Surrealism. Oxford: Oxford University Press. Available from https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.wmin.ac.uk/entity&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191516603.
How to Be a Surrealist with Philippa Perry (no date). BBC4. Available from https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.wmin.ac.uk%2Fentity&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0EA77718%3Fbcast%3D123916354.
Hughes, R. (1991a). The shock of the new: art and the century of changeUpdated and enlarged ed. London: Thames & Hudson.
Hughes, R. (1991b). The shock of the new: art and the century of changeUpdated and enlarged ed. London: Thames & Hudson.
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Johnstone, S. (2008). The everyday. London: Whitechapel.
Krauss, R. et al. (2011). Art since 1900: modernism, antimodernism, postmodernism2nd ed. London: Thames & Hudson.
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Lumley, R. (2004). Arte povera. London: Tate.
Madoff, S.H. (1997). Pop art: a critical history. Berkeley: University of California Press.
Manet: the Man Who Invented... (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/prog/0101EA2A?bcast=93760627.
Modern Masters: Warhol (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/clip/2277.
Muller, U., Radewaldt, I. and Kemker, S. (2009). Bauhaus women: art, handicraft, design. Paris: Flammarion.
Ottinger, D. et al. (2009). FuturismRev. and enlarged ed. Paris: Éditions du Centre Pompidou.
Rush, M. and Rush, M. (2005). New media in artNew. ed. London: Thames & Hudson.
Stallabrass, J. (2006). High art lite: the rise and fall of young British artRev. and expanded ed. London: Verso.
The Art of Germany (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/clip/2276.
The Art of Germany (no date). Available from https://learningonscreen.ac.uk/ondemand/index.php/prog/018502ED?bcast=57383740.
Tisdall, C. and Bozzolla, A. (1977). Futurism. London: Thames and Hudson.
Walker, J.A. (2001a). Art in the age of mass media3rd ed. London: Pluto.
Walker, J.A. (2001b). Art in the age of mass media3rd ed. London: Pluto.
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Whitford, F. and Engelhardt, J. (1992). The Bauhaus: masters & students by themselves. London: Conran Octopus.
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Wingler, H.M. (1969). The Bauhaus: Weimar, Dessau, Berlin, Chicago. Cambridge, Mass: M.I.T. Press.
Wlassikoff, M. (2005). The story of graphic design in France. Corte Madera, Calif: Gingko.