Alphen, E. van. (2014). Staging the archive: art and photography in the age of new media. Reaktion Books.
ARA (Archives and Records Association) Code of Conduct. (n.d.). http://www.archives.org.uk/images/documents/ARACouncil/ARA_Code_of_Conduct_final.pdf
Ault, J., Ashford, D., & Group Material. (2010). Show and Tell: a chronicle of group material, chapter: Case Reopened: Group Material (pp. 209–216). Four Corners Books.
Barnes, A. J. (2014). Museum representations of Maoist China: from Cultural Revolution to commie kitsch. Ashgate. http://www.vlebooks.com/vleweb/product/openreader?id=WestminUni&isbn=9781472416568
Bastian, J. A., & Alexander, B. (2009). Community archives: the shaping of memory: Vol. Principles and practice in records management and archives. Facet Pub. https://ebookcentral.proquest.com/lib/westminster/detail.action?docID=1167434
Books on University of Westminster history. (n.d.). https://www.uwestminsterpress.co.uk/site/books/filter/496/
Borggreen, G., & Gade, R. (2013). Performance archives - archives of performance. Museum Tusculanum.
British Library. (2016). Redactions to Spare Rib website. https://www.bl.uk/press-releases/2016/april/redactions-to-spare-rib-website
Ciric, Biljana. (2014). Building archives through curatorial practice. http://search.proquest.com/docview/1518507335?accountid=14987&rfr_id=info%3Axri%2Fsid%3Aprimo
Cook, T. (2011). ‘We Are What We Keep; We Keep What We Are’: Archival Appraisal Past, Present and Future. Journal of the Society of Archivists, 32(2), 173–189. https://doi.org/10.1080/00379816.2011.619688
Cook, Terry & Schwartz, Joan. (n.d.). Archives and Museum Informatics: Archives, records, and power: From (postmodern) theory to (archival) performance. 2(3–4), 171–185. http://link.springer.com.uow.idm.oclc.org/article/10.1007/BF02435620
Crookham, Alan. (2015). Curatorial constructs: archives in fine art exhibitions. https://uow.idm.oclc.org/login?url=http://www.tandfonline.com/doi/abs/10.1080/23257962.2015.1010070
Derrida, Jacques. (1995). Archive Fever: A Freudian Impression. http://www.jstor.org.uow.idm.oclc.org/stable/465144?sid=primo&origin=crossref&seq=1#page_scan_tab_contents
Douglas, J. (2016). Toward More Honest Description | The American Archivist. 79.
Downey, A. (Ed.). (2015). Dissonant archives: contemporary visual culture and competing narratives in the Middle East: Vol. Ibraaz series. I.B. Tauris.
Duff, Wendy ; Harris, Verne. (2002). Stories and names: Archival description as narrating records and constructing meanings. https://uow.idm.oclc.org/login?url=http://link.springer.com/article/10.1007/BF02435625
Edwards, E., & Hart, J. (2004). Ch. 1 ‘Introduction’ in: Photographs objects histories: on the materiality of images: Vol. Material cultures. Routledge. http://www.tandfebooks.com/action/ssostart?idp=https://idp.wmin.ac.uk/entity&redirectUri=/isbn/9780203506493
Eichhorn, Kate. (2015). The Archive Function: A Feminist Critic’s Lost Thesis on the Archive. https://uow.idm.oclc.org/login?url=http://www.tandfonline.com/doi/abs/10.1080/08164649.2014.998452
Enwezor, O. & International Center of Photography. (2008). ‘Archive Fever: Photography Between History and the Monument’ in: Archive Fever: Uses of the Document in Contemporary Art. Steidl.
Foster, Hal. (n.d.). Archives of Modern Art *. http://library-collections-search.westminster.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&gathStatTab=true&ct=display&fn=search&doc=TN_mitpress10.1162%2f016228702317274648&indx=1&recIds=TN_mitpress10.1162%2f016228702317274648&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&dscnt=0&scp.scps=primo_central_multiple_fe&tb=t&mode=Basic&vid=WST_VU1&srt=rank&tab=remote&dum=true&vl(freeText0)=archives%20of%20modern%20art&dstmp=1509383503650
Foster, Hal. (2004). An Archival Impulse. http://www.mitpressjournals.org/doi/abs/10.1162/0162287042379847#.V9f_Vk0wiUk
Hans Hofman. (2006). Ch. 6 "The Archive”, in: McKemmish, S., Piggott, M., Reed, B., and Upward, F. (Eds.) Archives: recordkeeping in society.
Hodson, S. (n.d.). In Secret Kept, In Silence Sealed: Privacy in the Papers of Authors and Celebrities in: The American Archivist. http://americanarchivist.org/doi/abs/10.17723/aarc.67.2.b53338437x161076?code=same-site
International Council on Archives: Code of Ethics. (n.d.). http://www.ica.org/sites/default/files/ICA_1996-09-06_code%20of%20ethics_EN.pdf
Jessica Lacher-Feldman. (2013). Ch. 1 Exhibit Philosophy and Theory. Why Exhibit? AND Ch. 2 From Soup to Nuts 17 The Exhibit Cycle as a Planning and Practice Model. from Exhibits in Archives and Special Collections Libraries. In Exhibits in archives and special collections libraries. Society of American Archivists.
Jimerson, R. (2007). Archives for All: Professional Responsibility and Social Justice in: The American Archivist. 70. http://americanarchivist.org/doi/pdf/10.17723/aarc.70.2.5n20760751v643m7?code=same-site
Joan M. Schwartz. (1995). ‘We Make Our Tools and Our Tools Make Us’: Lessons from Photographs for the Practice, Politics, and Poetics of Diplomatics. Archivaria, 40.
Joan M. Schwartz. (2000). ‘Records of Simple Truth and Precision’: Photography, Archives, and the Illusion of Control. Archivaria, 50.
Lin, C. (2016). Chinese Poster Collection. http://blog.westminster.ac.uk/chineseposters/
Longpré, N. (n.d.). Shame, Memory, and the Politics of the Archive | JHIBlog. https://jhiblog.org/2016/05/04/shame-memory-and-the-politics-of-the-archive/
Maryanne Dever. (2009). Introduction: The intimate archive in: The Intimate Archive: Journeys through Private Papers. National Library of Australia.
McKemmish, S. (2006). Ch. 1 "Traces: Document, Record, Archive, Archives” in: McKemmish, S., Piggott, M., Reed, B., and Upward, F. (Eds.) Archives: recordkeeping in society.
McNally, A. (n.d.). Not Just Curious Objects: the China Visual Arts Project Archive, in Journal of Design History.
McNally, A. & ARLIS/UK & Ireland. (2013). Chapter 8 "All that Stuff!” in: All this stuff: archiving the artist. Libri Publishing.
Meehan, J. (2009). Making the leap from parts to whole: evidence and inference in archival arrangement and description. http://americanarchivist.org/doi/pdf/10.17723/aarc.72.1.kj672v4907m11x66
Merewether, C. (2006). The archive: Vol. Documents of contemporary art. Whitechapel.
Michel Foucault. (2010). Ch.5 The Historical A Priori and the Archive from The archaeology of knowledge; and, The discourse on language. In The archaeology of knowledge: and, The discourse on language (Vintage books ed). Vintage Books.
Millar, L. (2010). Archives: principles and practices: Vol. Principles and practice in records management and archives. Facet.
Mindswap: The Female Eunuch Index Cards | University of Melbourne Archives. (n.d.). http://blogs.unimelb.edu.au/archives/mindswap-the-female-eunuch-index-cards/
Muller, S., Feith, J. A., Fruin, R., & Vereniging van Archivarissen in Nederland. (2003). Manual for the arrangement and description of archives: Vol. Archival classics series (2nd ed). Society of American Archivists.
National Preservation Office. (2000). Guidance for archive and library materials. https://326gtd123dbk1xdkdm489u1q-wpengine.netdna-ssl.com/wp-content/uploads/2017/01/National-Preservation-Office-Guidance-for-exhibiting-archive-and-library-materials-Feb-2000.pdf
Osborne, Thomas. (1999). The ordinariness of the archive. http://hhs.sagepub.com/content/12/2/51
Punzalan, R., & Caswell, M. (2016). Critical Directions for Archival Approaches to Social Justice, in: The Library Quarterly. http://www.journals.uchicago.edu/doi/abs/10.1086/684145
Reason, Matthew. (2003). Archive or memory? The Detritus of live performance. https://www-cambridge-org.uow.idm.oclc.org/core/journals/new-theatre-quarterly/article/archive-or-memory-the-detritus-of-live-performance/28D14B812C157CD8DAB5A79C03B8B7FD
Robertson, T. (n.d.). digitization: just because you can, doesn’t mean you should – tara robertson. http://tararobertson.ca/2016/oob/
Sekula, Allan. (1986). The Body and the Archive. http://www.jstor.org.uow.idm.oclc.org/stable/778312?sid=primo&origin=crossref&seq=1#page_scan_tab_contents
Steedman, C. (2008). Intimacy in research: accounting for it. History of the Human Sciences, 21(4), 17–33. https://doi.org/10.1177/0952695108095509
Steedman, Carolyn. (2001). Something She Called a Fever: Michelet, Derrida, and Dust. https://ahr.oxfordjournals.org/content/106/4/1159.full.pdf+html
Terry Cook. (1997). What is Past is Prologue: A History of Archival Ideas Since 1898, and the Future Paradigm Shift. Archivaria:  The Journal of the Association of Canadian Archivists, 42. http://archivaria.ca/index.php/archivaria/article/view/12175/13184
UNESCO/International Council on Archives: Universal Declaration on Archives. (n.d.). http://unesdoc.unesco.org/images/0021/002134/213423e.pdf
Valge, Jaak ; Kibal, Birgit. (2007). Restrictions on Access to Archives and Records in Europe: A History and the Current Situation. https://uow.idm.oclc.org/login?url=http://www.tandfonline.com/doi/abs/10.1080/00379810701611951
Wells, E. (2012). Related Material – The Arrangement and Description of Family Papers. Journal of the Society of Archivists, 33(2), 167–184. https://doi.org/10.1080/00379816.2012.722528
Williams, C. (2006). Ch. 5 "Access, reference and advocacy” in: Managing Archives: foundations, principles and practices.: Vol. Chandos information professional series. Chandos.
Wooten, K. (n.d.). Why We’re Not Digitizing Zines | Digital Collections Blog. https://blogs.library.duke.edu/digital-collections/2009/09/21/why-were-not-digitizing-zines/
Yeo, Geoffrey. (2007). Concepts of Record (1): Evidence, Information, and Persistent Representations. The American Archivist, 70(2), 315–343. http://americanarchivist.org/doi/pdf/10.17723/aarc.70.2.u327764v1036756q